After a decade in silver, Fian turns to gold. Five collections, eighteen pieces — each cast, set and finished by the same hands that shaped our silver, now in a warmer metal made to be kept, worn and handed down.

Filmed over two evenings in Jaipur — no studio, no styling. Eleven of the eighteen pieces, worn by the women who bought them first.

Shot over three days in the atelier: the wax, the pour, the file, the loupe. No voiceover — only the sound of the work. Watch it once before you choose a piece; you will know what you are buying.

Three and a half grams of 18-karat gold drawn into a single unbroken link, after a temple form our smiths studied for a year. Twelve exist in the first release; each is numbered on the clasp.

Every piece begins as a single solid-gold casting, then passes through the same four benches as our silver — filing, setting, polishing and a final hand inspection under the loupe.

Nothing leaves the atelier without its BIS hallmark, a stamped purity mark and a certificate signed by the smith who finished it.

We asked eleven early customers to record a minute on their phone, unedited. Six are here. Nothing was scripted and nothing was paid for.

Every order arrives in Fian's archival box — a lacquered case, a purity card and a hand-tied gold cord. Add a note at checkout and we write it in ink, not print.

For weddings and larger occasions, our atelier assembles sets across collections on request.